Get that camera out of my face!!!
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
Standing in front of the camera has never been so annoying. But the point is that from this uncomfortable situation the most fascinating facial expressions emerge: hidden details of the contained hanger created by the impotence to do anything about it. This photographs were taken on Tokyo's circle line by Iņigo Asis (b. 1969, Madrid). They show strangers forced together in conditions of proximity and provide an image of contemporary alienation as the 21st century city as to offer.
E-mail:
danielr_ist@hotmail.com