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SPECIAL
PROGRAMMING |
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DIRECTOR'S CUT |
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COMING
APART
By Milton Moses Ginsberg -
EUA, 1969, 110' |
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PAT GARRET & BILLY THE KID
By Sam Peckinpah -
EUA, 1973/ 2005, 117’ |
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WINTER SOLDIER
By Winter Collective -
EUA, 1972, 95’ |
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INDIEMUSIC
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BE HERE TO LOVE ME: A FILM ABOUT TOWNES VAN ZANDT
By Margaret Brown -
EUA, 2005, 99’ |
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THE DEVIL
AND DANIEL JOHNSTON (preview)
By Jeff Feuerzeig -
EUA, 2005, 110’ |
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THE FEARLESS
FREAKS
By Bradley Beesley -
EUA, 2005, 99’ |
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IS IT
REALLY SO STRANGE?
By William E. Jones. -
EUA, 2004, 80’ |
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LEONARD
COHEN: I'M YOUR MAN
By Lian Lunson -
EUA, 2005, 98’ |
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THE LIFE
AND HARD TIMES OF GUY TERRIFICO
By Michael Mabbott -
Canadá, 2005, 86’ |
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RADIOHEAD TELEVISION
By Chris Bran -
Reino Unido, 2004, 110' |
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NEIL YOUNG:
HEART OF GOLD
By Jonathan Demme -
EUA, 2006, 103' |
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SCREAMING
MASTERPIECE
Ari Alexander Ergis Magnússon -
Iceland, 2005, 87’ |
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YANG BAN
XI - THE 8 MODELWORKS
By Yan Ting Yuen -
The Netherlands, 2005, 87’ |
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90 YEARS OF SWEDISH SHORT FILMS |
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Programming |
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GULBENKIAN CREATIVITY AND ARTISTIC CREATION PROGRAMM |
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VESTÍGIOS, by Tiago Afonso (16’) |
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HESITAR, VERBO INTRANSITIVO, by Cátia Salgueiro (6’) |
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DISPERSÃO, by João Constâncio (5’) |
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A MINHA MÃE É PIANISTA, by João Rosas (4’) |
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O DEDO, by Luís Miguel Correia (5’) |
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QUINTA DA CURRALEIRA, by Tiago Hespanha (19’) |
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NO FUNDO DA GAVETA, by Joana Pinho Neves (20’) |
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Opening film
ME AND YOU AND EVERYONE WE KNOW
By Miranda July -
EUA, 2005, 90’
Closing film
TWELVE
AND HOLDING
By Michael Cuesta -
EUA, 2005, 90’
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